[that whole "acting like it doesn't bother you" facade Cain has going on is reflected back in a practiced and near-perfect form in Charles. he had been bothered by it the first time, naturally, which is why he assumes the same of Cain and the carnival. by now? the novelty has worn off, and he views dying as more or less without consequence.]
no subject
[that whole "acting like it doesn't bother you" facade Cain has going on is reflected back in a practiced and near-perfect form in Charles. he had been bothered by it the first time, naturally, which is why he assumes the same of Cain and the carnival. by now? the novelty has worn off, and he views dying as more or less without consequence.]